I. An out-of-focus sequence of General Sir Edmund Allenby (?) reviewing a marchpast by British or Indian Cavalry of the Desert Mounted Corps, Palestine Front, 1918.II. Arab workers filling bottles and...
Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
Australian troops practising bomb (hand grenade) throwing from slit trenches. The explosions are filmed at various angles and distances. The 'cup final' of 7th (Meerut) Division football championships...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
The American Committee's health department brings the medical authorities' and parliamentary circles' attention to the state of children's public health in the disaster-stricken Aisne region. Seventee...
SPCA inspects farm and transport of livestock, and shows the care of both working animals and pets. Also outlines SPCA's role in rehoming animals, and in educating children about pet care.
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
Szene aus "Here and There"
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...
Dialogue list (excerpt) for "...und abends in die Scala".