Details of the exterior architecture of the Jerónimos Monastery, in Lisbon.
Incomplet. The visit of Carmona to Oporto (military parade and night illuminations); Vila Nova de Gaia; opening events: the Leixões’ Port, the railway line Senhora da Hora-Trofa.
Investiture of General Carmona as President of the Republic and several events with his presence, such as the military parade in the 5th October 1932, official visits and aspects of his intimate life.
Images of Huíla Plateau, Angola: the Railway of Namibe (formerly Moçâmedes); Bibala (formerly Vila Arriaga); Lubango (formerly Sá da Bandeira); Ruacaná falls in the Cunene River. Muhilla. Native ...
Documentary film on the colonial exhibition held in 1934 in Oporto. Images of the participants, pavilions, gardens, leisure areas, folk parades and of the most visited commercial stands.
Unedited footage. Views from the parish of Buarcos in Figueira da Foz, including the beach, mother church and the Tower of Redondos' (Castle) ruins. Officials attend a cerimony.
Incomplet. Unedited footage. Views of Beja: firemen, sport events, commerce.
In Trás-os-Montes circuit, spectators attend by the side of the road the passage of several cars in competition.
film frame.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Interview with Edurardo Lopes, manager of the distribution company Fomento Artístico on the Portuguese film industry.
A thesis on the education potential of film. Includes a chapter on the available equipments.
Title cards in vegetal paper.
Title cards in vegetal paper.
Title cards in vegetal paper.
Notes on the inexistence of Portuguese artistic documentary films.
Notes on the educational potential of film.
Article on the profile of a film reporter and the inexistence of such a career in Portugal.