I. The build-up to war from the earliest days of film record, showing the various crowned heads of Europe.II. The Balkan wars of 1912, the development of Germany's Navy, and the inauguration of Presid...
(Reel 1) The training of a naval cadet - Pangbourne, HMS Worcester, HMS Medway. (Reel 2) Scenes from the building of a merchant vessel. Shots of a Standard Tanker being launched on the Clyde, female d...
Medium shot of nurses Tonička (actress: Truda Grosslichtová) and Mathilde (actress: Adina Mandlová) standing by a table in a room. Mathilde has a paletot over her shoulders and is staring fixedly s...
Medium close-up of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and the cadet Severa (actor: Stanislav Strnad), who is lying on a hospital bed.
Medium close-up of Nurse Tonička (Truda Grosslichtová) and Corporal Bartoněk (Jiří Vondrovič) standing in a corridor. They are smiling at one another and she is touching his bandaged hand.
Medium shot of an Austrian officer and Nurse Mathilde (actress: Adina Mandlová) looking at each other. The man is smoking a cigarette. Another soldier is visible behind them. In the left background i...
Several Austrian soldiers are moving about in front of a standing train. Several of the soldiers are carrying cargo. Other soldiers are looking out of the windows and open doors of the train.
Medium shot of Toman's wife Lída (actress: Marie Rosůlková), his son Vláďa (actor: Zdeněk Záhorský), and Dr, Šrámek (actor: František Smolík), who is shaking Vláďa's hand. Vláďa is wea...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and nurse Mathilde (actress: Adina Mandlová).
Medium close-up of Rjepkin (actor: Vladimír Borský) sleeping on a bed and First Lieutenant Liška (actor: František Kreuzmann) in pyjamas leaning over him.
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...