Miranda, who is paralyzed, becomes the victim of an employee of her father’s who is after her money. She finds solace in a man who truly loves her.

In a maternity clinic the prostitute Sonia substitutes her baby for someone else’s which died soon after birth. Years pass, and the child grows up with Pavlos and Eleni, who have no idea that the c...

A young man wants to kill his parents and his mother’s lover. While running in the street, he gets hit by a car. He ends up in the hospital, where, immobile in his bed, he mentally commits the three...

A young man who has just completed his studies and taken his vows as a doctor returns to his village. His mother expects him to take revenge for his father’s death and get their land back, which w...

Michalis Pararounas, after his recent release from prison, plans a big heist with his friends: to crack the safe of a villa in Filothei, where the wealthy Mrs. Domna lives. However, Mrs. Domna catches...

The womanizer Mr. Klearchos (Vasilis Avlonitis), who covets his neighbor Mrs. Iro, cooks up a scheme to have her follow him to the spa where he goes for treatment. He assumes the role of minder for hi...

The owner of a rural coffee shop (Kostas Chatzichristos) hopes to capture the heart of one of the village girls. After a strange twist of fate, he pretends to be a business man in an oil company. Howe...

This is the first film of Vasilis Georgiadis, a great Greek director, whose films have twice been Oscar nominees for best foreign language film. This is perhaps the only Greek athletic film production...

The program of the screening of the film "Blind Desire" refers to the screenwriter of the film, Charles Spake, and the conditions under which he conceived the idea of the film. It underlines the spiri...

The director is characterized as one of the “tough guys” in Hollywood. Information is provided on his artistic course up to the moment when Capote selects him for the adaptation of his film on TV ...

M. Mitropoulou authors this critical review, offering information on the plot and referring to tradition of the western that is being transplanted to Sicily with success. The " Gattopardo” in a humb...

Card-souvenir from the PANTHEON Cinema about the film "UNCLE TOM'S CABIN". There is a black-and-white photograph of the leading actresses and UNIVERSAL's logo. Information about the film and an announ...

The notes, written by N. Manolitsis, refer to the life and work of Roman Polanski in general, the Polish director whose film feature surrealistic strokes, as well as an unprecedented sexuality and dis...

In the programme for the screening of the film "Balthazar" we first find information from the credits and then references to the metaphysical world of Bresson – followed by a summary of the plot. I...

There is information given about the start of Bolognini's career, who prefers to render cinematographically certain authors and is characterized as the "ideal interpreter of a literary idea in motion ...

Programme for the ΤΙΤΑΝΙΑ cinema, a member of the Hellenic Cinema Union. On the cover, the title of the film: “DREAM OF SCHONBRUNN” (TRAUM VON SCHÖNBRUNN) with Martha Eggerth and the rati...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS