La dura giornata di lavoro dei muratori nel cantiere per la costruzione dello stadio Olimpico a Roma.
1 - l'uomo direziona la gru che trasporta la colata di calce, un carretto trainato da un cava...
Il cortometraggio racconta l'importante sviluppo dell'altopiano della Sila, soprattutto agricolo, con la gestione del nuove ente statale, Opera della Sila, e per la politica della riforma agraria.
Il cortometraggio racconta i lavori di ricostruzione del porto di Livorno dopo dieci anni dal bombardamento che lo ha distrutto e la vita marittima che riprende.
1 - veduta panoramica dalla colli...
Il cortometraggio racconta l'iniziale opera di bonifica dei terreni calabri per la futura esperienza della riforma agraria.
1 - panoramica dei territori calabri impervi ed in stato di abbandono a...
"Ci siamo mai chiesti chi sono, da dove vengono, come vivono gli ombrellari?". La vita solitaria delle donne di Secinaro, il 'paese degli ombrellari'. La giornata di lavoro di un ombrellaio raccontat...
The digging of the canal on the Rhône and the construction of a dam, between Donzère (Drôme) and Mondragon (Vaucluse) have started. This is the result of the Marshall plan for the hydroelectric ind...
Pierre Courant (Le Havre's mayor and Minister of Reconstruction and Urban Planning) offers the keys to three houses built as part of his program for the reconstruction of the city.
Research in today's Messina of the motifs, colors and themes that Antonello painted in his very own way.
Reconstruction of the German economy with the help of American loans through the Marshall Plan: 18 flags of the nations involved in the European reconstruction program. Machine construction, building ...
The basement of the Parisian suburbs is riddled with quarries and vaults due to the construction of the metro. An entire district of Nanterre collapsed after a landslide due to the erosion of the subs...
L'épisode montre comment le cinéma est utilisé dans la recherche technique de la SNCF. Les essais sont filmés et étudiés par les techniciens, qui peuvent ainsi apporter les modifications nécess...
The documentary black-and-white footage by filmmaker Ernst Hirsch dates from 1963 and shows final work on the Zwinger, which was destroyed in the air raids on Dresden in 1945 and then rebuilt, as well...
Countless simultaneous interpreters work in the European Council in Strasbourg. Among the 'language jugglers' small intrigues, quarrels and comedies take place. A film in the Strength for the Free Wor...
The little story of Koula the mule and his friend, a Greek farm boy, was well received outside Greece in Western Europe. The film commentary was translated into nine languages. With the help of mules ...
The film tells of incredible adventures in the commentary. But its images explore the gleaming machinery of a factory, full of the latest new technology, with which milk from all over France is turned...
The amateur film describes the course of the elections to the National Assembly among the employees of the Stalin plant in LitvÃnov. The film documents the announcement of elections, meetings of offi...
Zensur, Oberprüfstelle O.1256, 5 Akte 1700 m. (1703 m. vor Zensur), Quelle: Jahrbuch, Jugendverbot.
Hellwig, Albert. „Müller-Sanders: Die Kinematographenzensur in Preußen. Heidelberger Dissertation 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 144-14...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...