Vesterhavet cirka 1915. Sømme i vandkanten. Små fiskerbåde på stranden. En damper er strandet og ligger udfor Harboore. Vand skyller ind over skibet. Flere klip taget ombord på det strandede fart...
Amatørsejlklubben ved Langelinie. Folk går ombord i udflugtsbåden "Tjalfe", hvor der holdes selskab. Sejlads på Øresund.
Mother of Jiří Voldán (actress: Marie Ptáková) between two policemen in uniforms. Behind her stands secret policeman.
A group of civilians and policemen. In the middle stands infantryman Kubík (actor: Václav Kubásek) on suit. Next to Kubík stands a woman on skirt and shawl.
Medium close-up of Nurse Mathilde (actress: Adina Mandlová), Lieutenant Rjepkin (actor: Vladimír Borský) in uniform, and his wife Lída (actress: Marie Rosůlková). The women are looking at each o...
Panorama of the city of Brno (one of the film's settings) with the cathedral of Saints Peter and Paul on the horizon.
Panorama of the city of Brno (one of the film's settings) with a railway station in the foreground and the top of Špilberk castle on the horizon. The cathedral of Saints Peter and Paul protrudes up o...
View of a doctor's office. Dr. Šrámek (actor: František Smolík) sits at a desk and Dr. Klíma (actor: Karel Veverka) sits opposite him with the newspaper Národní politika in his hand. On the des...
Wide shot of a standing train occupied by Russian officers and regular soldiers. A group of Austrian soldiers stands in front of the train. Several of them are wearing armbands of the Red Cross.
Medium shot of an operating room. Dr. Šrámek (actor: František Smolík) stands on the left with a syringe in his hand. Next to him are Dr. Klíma (actor: Karel Veverka) and Nurse Tonička (actress:...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch ...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...