The bandit Hasampoulis, a member of the Hasampoulis brothers’ gang, is the popular Robin Hood of Cyprus at the end of the 19th century. He escapes from prison after 10 years of incarceration and tak...
A prosecutor (Giorgos Fountas) raises his daughter alone after splitting up with his wife (Alexandra Ladikou). When the latter is accused of a crime, he does everything possible to achieve her convict...
A policeman must solve a series of murders in which the victims are turned into statues. The perpetrator of the crimes is a woman who is confronted by a thief called Perseas and his team.
Just before he dies, a girl’s father asks his wife not to tell their daughter that she is adopted. His wife and her other daughter treat her badly, and when the young girl finds out the truth, she l...
A very important member of the underworld uses the so called “Avenue of Death” for the trafficking of drugs as well as for the exploitation of young women. The police, who are aware of his activit...
A television reporter’s research into a pop idol, the singer Ntemis Flerianos, leads to the recording and exposure of several political and social scandals and other matters dating from the beginnin...
A young couple (Xenia Kalogeropoulou and Stavros Tornes) tries to live a good life despite the obstacle of the man’s authoritarian mother (Tasso Kavvadia). In his attempts to overcome their financia...
An experimental film using a mixture of techniques to portray the different views of the human body. It consists of seven parts, each one presenting an ideotype of the human body, from the beginning o...
The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...
Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...
The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...
The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...
The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...
The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...
Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...
It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...
VACHLIOTIS’ MODEL WITH A DRESS. PENCIL DRAWING IN COLOR WITH HANDWRITTEN NOTES AND INSTRUCTIONS.
Weekly publication featuring a variety of topics on the cinema. Page 90 is selected: "Our answers to you". 8th FORMAT
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
Weekly publication featuringa variety of topics on cinema. Page 25 is selected: "Ramon Novarro. Women's favourite". 8th FORMAT.
Weekly publication featuring a variety of topics on cinema. Page 265 is selected: "Letters from Hollywood. The cartoons". 8th FORMAT.
THE “VERMION” CINEMA PROGRAM ADVERTISING THE FILM “SACRIFICE TO PLEASURE” WITH ADVERTISING MESSAGES ABOUT THE FILM.
STILL ABOUT KOSTAS GAVRAS’ “MISSING”. THIRTY PAGES IN A FOLDER ABOUT THE FACTORS OF PRODUCTION AND THE PLOT, INCLUDING BIOGRAPHICAL NOTES ABOUT THE DIRECTOR AND CAST.
SPECIAL EDITION FOR THE NEW GREEK CINEMA SPANNING 1951-1982