A beautiful woman becomes the bait to trap a policeman and helps some drug dealers in their activities.

A man (Giorgos Ballis) returns to his homeland, “rehabilitated” after the dictators’ regime. He takes a billy-goat under his care, and falls in love with the village teacher (Telesila Moidini). ...

A counterfeit coin goes from hand to hand telling its story in four independent episodes. The piece has been made by a decent goldsmith, Anargyros (Vasilis Logothetidis), who is captivated by the char...

The conflict between Eteocles and Polynices (the two sons of the dead king Oedipus, who claimed the throne of seven-gated Thebes) results in the death of both of them. The young king Creon orders that...

An entrepreneur (Lykourgos Kallergis) loses all his money and is forced to stay as a guest in the house of Ierotheos (Lavrentis Dianellos), a former employee of his. The entrepreneur’s daughter Anna...

In a Gypsy settlement, mourning prevails due to the loss of Zigkos, the leader of the clan. Later on, they celebrate the appointment of the new leader, who, according to custom, is no other than Vanta...

A documentary about the Greek Revolution of 1821, as seen through the eyes of Greek folk painters, starting from the first folk craftsman, Panagiotis “Zografos (Painter)”, and then Theofilos, as w...

Kostas works at a law firm and is planning to be reassigned to a provincial town so as to accompany to Athens a certain Smaro, a young heiress whose inherited property is about to be sold. The night b...

Critique presentation of the film that is based on a novel and it is a "wonderful illustration of the foreigner - kin Odyssey". Plot summary for this "quartet of foreigners" with a brief reference to ...

Brief critical presentation of the film and script overview. The film is described as a "rural poem" of "Virgilian attraction" and a "Saga of progress".

The movie is considered "a brilliant proof of the Warhol - Morrissey system about the cinema of stars". The director lets his actors "do whatever they please" through a "paranoid 'poetics' ... that re...

The programme for Two Weeks of Spanish Cinema mentions the cooperation between the Film Archives and the Spanish authorities, provides the screening schedule and lists the films, with details from the...

The programme for the film "The Curtain Rises" includes credits, points out Louis Jouvet's superb acting and provides further information on this actor. There is reference to Allegret and his filmogra...

A collage of photographs of characteristic scenes from the film comprises this poster. Four black-and-white photographs take up the whole space, except for the bottom part, where the title and crew of...

The programme for the New Greek Cinema lists the credits and comments on the films

Reference to the love of the first French directors for the ports and the previous movies of Jacques Demy. In the "Rochefort girls (Les Demoiselles de Rochefort)" his objective "the old American music...

MAGAZINE FEATURING A VARIETY OF ARTICLES ON CINEMA.

SMALL ONE-PAGE POSTER ABOUT K. ANDRITSOS’ FILM “TSAKITZIS, CHAMPION OF THE POOR” WITH SNAPSHOTS FROM THE FILM, THE FACTORS OF THE PRODUCTION AND CAST.

ADVERTISING POSTER ABOUT MIHALIS KAKOGIANNIS’ TWO FILMS: 1) “A GIRL IN BLACK” (LA FILLE EN NOIR) AND 2) “THE FINAL LIE” (FIN DE CREDIT). BOTH FEATURE A PHOTO OF LEADING ACTRESS ELLIE LAMBETI...

Magazine published by the Panhellenic Association of Cinema Enterprises' Emploees featuring labour topics concerning the branch. Particularly remarkable is the article on the "History of the Cinema in...

STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.

STILL ABOUT VASILIS MARIOLIS’ FILM “PSAROGIANNOS” WITH THE FACTORS OF THE PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the inside].

Monthly publication of the Association of Technicians of the Greek Cinema and Television.

STILL ABOUT VASILIS MAROS’ FILM “THE AEGEAN TRAGEDY”. A FEW WORDS IN ENGLISH AND GREEK ABOUT THE FILM FROM THE DIRECTOR. ALSO, THE FACTORS OF PRODUCTION.