Investiture of General Carmona as President of the Republic and several events with his presence, such as the military parade in the 5th October 1932, official visits and aspects of his intimate life.
1st of May celebrations. Parade with delegations of sport clubs and regional industries. Aerobatics.
Images of Huíla Plateau, Angola: the Railway of Namibe (formerly Moçâmedes); Bibala (formerly Vila Arriaga); Lubango (formerly Sá da Bandeira); Ruacaná falls in the Cunene River. Muhilla. Native ...
The launching of the destroyer ‘Dão’, presided by Oliveira Salazar.
Remembrance of Constable Dom Nuno Álvares Pereira’s life, including the Battles of Atoleiros and Aljubarrota, images of the São Jorge Chapel in Aljubarrota and of the Monastery of Batalha.
Unedited footage. Views from the parish of Buarcos in Figueira da Foz, including the beach, mother church and the Tower of Redondos' (Castle) ruins. Officials attend a cerimony.
Incomplet. Unedited footage. Views of Beja: firemen, sport events, commerce.
In Trás-os-Montes circuit, spectators attend by the side of the road the passage of several cars in competition.
Film frame
Photograph of the production company's installations: the power station.
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A view of the production company’s installations: the film studios on the left, the main building on the right.
Film frame.
Portrait of João Freire Correia and Maximino Abranches, 1909
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Article on the director’s position in the Portuguese film industry and on his joining the Empresa Leitão.
On the use of portable projectors for home sessions and as an aid to education.
Notes on the film productions of the daily newspaper “Diário de Notícias”.
Announcement of the foundation of Portugália Film, its goals and ambitions.
On the celebration of the 3rd anniversary of the film magazine and the programm presented at Salão Trindade.
On the installation of Empresa Leitão and the production company’s starting activities with references to its first film.
Commentary on the exhibition of the group of 12 films of the series ‘Portugal pittoresco e monumental’.
Notes on the film and its thematics.