The battalion signallers form up in the courtyard and practise their semaphore. A company on parade fixes bayonets and is inspected by its company officer, following which the men march off. Men pract...
A young lady sits at her breakfast table drinking tea and reading the morning paper. She reads of a heavy fine imposed on someone caught watering nursery milk, and conjures up a vision of a sick child...
An unfinished stable at the hospital, "will you help the RSPCA to complete it ?". A group of three horses. A wounded horse being attended to at a mobile veterinary section near the front. Wounded hors...
The British reverse their Mark V Male tanks into a courtyard in the centre of the city, to the interest of the civilian crowd. The men perform maintenance on their tanks, while soldiers and armed Germ...
Film fragment of an Australian convoy of wounded on mule-drawn litters, led by a mule-drawn ambulance, making its way over dusty hills, possibly Palestine, 1916-1918.
A semi-posed group of Greek soldiers watches the camera in the centre of the town. The main post office is shown, guarded by Allied troops of varying nationalities, mainly French.
Newsreel item o...
A Serbian officer scans the distance with binoculars as the French gunners set the fuses on their field gun's shells and fire a round. (The caption says the gun is a 75mm, but it appears to be an obso...
The men prepare to fire the gun, elevating the barrel. Then they are shown posed for the camera standing on and around the gun.
American gunners with a French 400mm railway gun, probably near Mai...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Walter Thielemann, Der Vaterländische Hilfsdienst und die Kinobranche, Der Kinematograph, 521/2 , (1916). Befürchtung, der Vaterländische Hilfsdienst könne die Kinobranche schwächen. Diese sei ab...
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.
Julius Sternheim, Propaganda-und Aufklärungsfilme, Der Kinematograph, 592, (1918), S. 12-14. Propagandafilme müssten maßgeblich eine Botschaft verfolgen, was sie oftmals zwangsläufig langatmig mac...
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.
Notes on the film and its thematics (a fundraising event for the War Memorial).
2 film guides (brochures), 18 pages each, 1st. And 3rd. editions. Documentary about the ventriloquist and automata creator Francisco Sanz Baldoví, codirected by Maximiliano Thous and Sanz himself. It...