The party, in informal dress, walks in the gardens of the house. Beaverbrook's young daughter and two smaller sons (wearing kilts) are prominent. The group poses on the terrace steps, followed by a se...
The film stresses local personalities (some mentioned by name) and details of local life. At the village pump a notice-board is used for newspapers to spread news of the war. Children play round a may...
The Portuguese officers pose with their British liaison and training staff. A parade ground marchpast, possibly gunners doing formation drill. Semaphore practice on the parade ground. Gun teams practi...
The sports are held by convalescent soldiers wearing hospital blue uniforms, and by nurses. A man and woman in civilian clothes, well-dressed, throw sweets to the crowd of convalescents. The sports co...
A pan of the assembly camp in Egypt, tented and open, where the "recruits of all provinces dressed in various types of garb" arrive and are given Egyptian Labour Corps uniform, "the men are delighted ...
Horses from the farm are exercised by young ladies of the Women's Land Army Agricultural Section, acting as grooms. The horses are cantered round a paddock and over a low jump. Each of the eight girls...
Newsreel item showing US aviators arriving by lorry in Stratford, England, September 1918
A very brief scene of a parade of soldiers being addressed by civilians, possibly the visit of J R Bennett to the Royal Newfoundland Regiment at Ecuires, France, June 1918.
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...