The film opens with rolling fields, corn stacks at regular intervals. Soldiers line up for an open-air pay parade. Walking wounded come up a hill towards the camera, followed by some stretcher cases, ...
By 1916 the Artists Rifles was not a serving battalion but a holding unit for officer trainees. A group of trainees is shown drilling on a parade ground, probably at Montreuil, and being addressed by ...
(Reel 15) The episode starts with 'Justice'. Lloyd George, as Minister of Munitions, gives a public speech from an Army staff car. A montage of women and men operating various metal presses, drop hamm...
(Reel 23) The episode starts with 'Justice'. Bayonet drill and a marchpast by the Northamptonshire Regiment. A marchpast and open air meal from the Cheshire Regiment, and a portrait shot of "Private J...
(Reel 25) The episode starts with 'Justice'. The opening states that this was "the great final offensive, in which the whole might of Britain's arms was concentrated, with an overwhelming force, upon ...
General scenes of destruction with British troops in the middle distance, showing mainly the damage done to the church, inside and out, and a water-filled crater.
Damage done to the village of Ri...
I. A Machine Gun Section of seven men with one Lewis gun walking in line across an open field comes to a ridge, and the men form for action. Four men go forward to set up the machine gun (a gunner, a ...
The camp is mainly of wooden huts with a few permanent buildings, for German NCOs and other ranks. Roll-call is taken early in the morning by the Germans themselves. Most are wearing patched uniforms ...
Czechoslovak volunteers on a small station in Siberia.
Czechoslovak volunteers on a small station in Siberia.
Czechoslovak volunteer on the hay wagon at the train station in Siberia.
A train with cattle arrives at the slaughterhouse in Prague.
Unloading of pigs from train at slaughterhouse in Prague.
Inhabitans of Prague on the way to reclaim food.
Food reclaim with the use of food stamps.
Controlled distribution of food.
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
Scala-Film-Verleih GmbH, Der Hetman der Ukraine, Der Kinematograph, 581, (1918), S. 18-19. Die Anzeige geht auf den Sieg gegen Russland ein und erwähnt das Interesse des Publikums an der Geschichte d...
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...