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Videos
(3074 Results)

FIVE YEARS AGO [Main]
1923
Imperial War Museums

I. (Reel 1) The Western Front 1916, re-edited sections of IWM 116 BATTLE OF THE ANCRE, using the same scenes and captions as the original, but not in the same order. This covers events in the middle p...

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EVERY LITTLE HELPS (first version) [Main]
1918
Imperial War Museums

A schoolmaster drives a tram as a part-time job. Other men board lorries taking them to work part-time on farms on Sundays. They are "of all classes, from lawyers to navvies". People without local all...

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EVERY LITTLE HELPS (second version) [Main]
1918
Imperial War Museums

The film stresses the need for part-time work to win the war. A schoolmaster drives a tram. Ladies make bandages, limb supports and other hospital items. Carpenters make crutches. Elderly part-time wo...

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EVERY LITTLE HELPS (second version, additional material) [Main]
1918
Imperial War Museums

Several shots of pigs feeding from troughs (some but not all of these shots are used in IWM 447B). Various shots of people making bandages, artificial limbs and crutches (most material used in IWM 447...

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WITH OUR BOYS AT THE FRONT (first version) [Main]
1918
Imperial War Museums

The funeral of a nurse killed when one of the British military hospitals in France was bombed (deliberately, according to the film) by the Germans in their March offensive. The caption style which is ...

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WOMEN AND THE WAR [Main]
1918
Imperial War Museums

The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...

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ANNALES DE LA GUERRE 58 - ANNIVERSAIRE DU TRAITE DE FRANKFORT [Main]
1918
Imperial War Museums

The film opens with a German jackboot across the map of Alsace-Lorraine. An old couple in Alsatian costume read the news of the annexation and bemoan their fate while German officers strut outside the...

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a DAY IN THE LIFE OF A MUNITION WORKER [Main]
1917
Imperial War Museums

The young woman leaves her terraced house (section tinted blue) at 5am and takes the train to the factory (tinting ends). In the locker room she and the others change into overalls and boots, and cloc...

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Images
(4430 Results)

Poručík Alexander Rjepkin - picture 22
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 22

Wide shot of a hospital corridor. Nurse Tonička (actress: Truda Grosslichtová) stands in the middle of the corridor clasping hands with Corporal Bartoněk (actor: Jiří Vondrovič), whose other arm...

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Poručík Alexander Rjepkin - picture 27
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 27

Medium shot of several men sitting around a table with a half loaf of bread and a carafe of water. On the left sits Sakař (actor: Jindřich Plachta) with a bandaged neck. To the right sit Vyskočil (...

Details
Poručík Alexander Rjepkin - picture 28
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 28

Wide shot of a corridor. Standing in front of the door to Dr. Šrámek's office are Nurse Mathilde (actress: Adina Mandlová) and Rjepkin (actor: Vladimír Borský) flanked by Austrian military guards...

Details
Poručík Alexander Rjepkin - picture 34
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 34

View of an office. A colonel of the Austrian army (actor: Jaroslav Marvan) and Dr. Šrámek (actor: František Smolík) are standing at a desk. Behind Šrámek are two military guards (on the right, a...

Details
Poručík Alexander Rjepkin - picture 38
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 38

Wide shot of an office. Dr. Šrámek (actor: František Smolík) is sitting at a desk and pointing at another doctor standing on the opposite side of the desk. Rjepkin (actor: Vladimír Borský) is st...

Details
Poručík Alexander Rjepkin - picture 42
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 42

Wide shot of a corridor and a door with a sign indicating "MUDr. Fr. Šrámek." Standing in front of the door are nurse Mathilde (actress: Adina Mandlová), First Lieutenant Liška (actor: František ...

Details
Poručík Alexander Rjepkin - picture 44
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 44

Lieutenant Rjepkin (actor: Vladimír Borský) is lying on a hospital bed in the foreground. Three figures are standing over him: Nurse Mathilde (actor: Adina Mandlová) on the left, and doctors Šrám...

Details
Poručík Alexander Rjepkin - picture 49
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 49

View of a hospital room. In the centre of the image, cadet Severa (actor: Stanislav Strnad) is lying on a bed and hugging his mother (actress: Marie Ptáková), who is sitting next to him. Rjepkin is ...

Details

Texts
(661 Results)

Die Kommunalisierung
Article
1919
DFF – Deutsches Filminstitut & Filmmuseum

Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...

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Kino und Schule. Von Prof. Dr. A. Sellmann
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...

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Filmprogramm von "Gebrochene Schwingen"
Programme
1913
DFF – Deutsches Filminstitut & Filmmuseum
Details
Kriegsecho in der Kinomusik
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.

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Filmprogramm von "Das Opfer"
Programme
1912
DFF – Deutsches Filminstitut & Filmmuseum
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Der Aufklärungsfilm
Article
1919
DFF – Deutsches Filminstitut & Filmmuseum

R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...

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Die Kinematographie der Töne
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...

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Kritik aus Deutsche Tageszeitung, ohne Datum
Review
DFF – Deutsches Filminstitut & Filmmuseum
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