Carnival parade in Av. da Liberdade, Lisbon. A car promotes the film ‘Gado Bravo’. Sport clubs: Clube Atlético de Campo de Ourique, Sport Lisboa e Benfica.
Unedited footage. Documentary about the monarchical incursions in Chaves. Reconstitution of the arrests of monarchical insurrectionists. Real images of the insurgents in prison.
Unedited images. Horse riding.
Incomplet. Ílhavo’s shipyard. Views of the christening and launching of the cod-fishing lugger ‘Brites’.
Landscapes of Caramulo.
Incomplet. The School of Cavalry and the field instruction: slope and entering the water in a horse exercises. As some slopes are almost vertical, fallings are inevitable.
Parade of the Festa dos Tabuleiros (“Festival of the Trays” – a Thanksgiving and Offering which is one of the most ancient cultural and religious manifestations in Portugal), in the city of Toma...
Landscapes and textile industry of Covilhã. Pasture areas, weaving and wheel factory, the wool's processing. Vegetables' market.
film frame
film frame
film frame of the above mentioned film.
A page of Ernesto de Albuquerque's photo album.
portrait
Portrait of the film director.
film frame
Portrait.
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.