Unedited footage. Equestrian Centre in Campo Grande, Lisbon: shots of a horse ride and the audience.
Images of the village and its surroundings (Porches’ hill, film-theatre, church square, Carvoeiro Beach). Unedited footage.
Unedited footage. The site and prep work for the festivities of São Torcato (a religious celebration which usually includes the blessing of animals and a livestock contest), in Guimarães.
Corporate journey in Vila Nova de Gaia and Oporto in 18th April 1936. Includes food and clothes distribution to the poor.
Unedited footage. Advertising film of canned tuna produced by the company Mello, Castello Branco, Ltd.
The film follows the visit of a delegation of foreign writers to Portugal.
Unedited footage on the city of Coimbra and some of its touristic spots: the Mondego river, Santa Clara bridge and monastery, Toll Square, University and Old Cathedral.
Unedited footage. Religious cerimonies at Cova da Iria. Pilgrims on their way to the sanctuary. Religious procession.
film frame.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.