The bandit Hasampoulis, a member of the Hasampoulis brothers’ gang, is the popular Robin Hood of Cyprus at the end of the 19th century. He escapes from prison after 10 years of incarceration and tak...
A prosecutor (Giorgos Fountas) raises his daughter alone after splitting up with his wife (Alexandra Ladikou). When the latter is accused of a crime, he does everything possible to achieve her convict...
A policeman must solve a series of murders in which the victims are turned into statues. The perpetrator of the crimes is a woman who is confronted by a thief called Perseas and his team.
Just before he dies, a girl’s father asks his wife not to tell their daughter that she is adopted. His wife and her other daughter treat her badly, and when the young girl finds out the truth, she l...
A very important member of the underworld uses the so called “Avenue of Death” for the trafficking of drugs as well as for the exploitation of young women. The police, who are aware of his activit...
A television reporter’s research into a pop idol, the singer Ntemis Flerianos, leads to the recording and exposure of several political and social scandals and other matters dating from the beginnin...
A young couple (Xenia Kalogeropoulou and Stavros Tornes) tries to live a good life despite the obstacle of the man’s authoritarian mother (Tasso Kavvadia). In his attempts to overcome their financia...
An experimental film using a mixture of techniques to portray the different views of the human body. It consists of seven parts, each one presenting an ideotype of the human body, from the beginning o...
A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...
The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...
Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...
A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...
The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...
A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...
The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...
The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...
VACHLIOTIS’ MODEL WITH A DRESS. PENCIL DRAWING IN COLOR WITH HANDWRITTEN NOTES AND INSTRUCTIONS.
Weekly publication featuring a variety of topics on the cinema. Page 90 is selected: "Our answers to you". 8th FORMAT
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
Weekly publication featuringa variety of topics on cinema. Page 25 is selected: "Ramon Novarro. Women's favourite". 8th FORMAT.
Weekly publication featuring a variety of topics on cinema. Page 265 is selected: "Letters from Hollywood. The cartoons". 8th FORMAT.
THE “VERMION” CINEMA PROGRAM ADVERTISING THE FILM “SACRIFICE TO PLEASURE” WITH ADVERTISING MESSAGES ABOUT THE FILM.
STILL ABOUT KOSTAS GAVRAS’ “MISSING”. THIRTY PAGES IN A FOLDER ABOUT THE FACTORS OF PRODUCTION AND THE PLOT, INCLUDING BIOGRAPHICAL NOTES ABOUT THE DIRECTOR AND CAST.
SPECIAL EDITION FOR THE NEW GREEK CINEMA SPANNING 1951-1982