A widower, Captain Andreas, learns that his designated departure time is cancelled, while in the meantime his crew discover Marina hidden in the ship’s refrigerator. Her warm, polite nature induces ...

An island girl (Christian Sylva) is tortured by a secret which crushes her in the end.

A girl (Christina Sylva) is being pushed into corruption by her boyfriend (Andreas Barkoulis) in order to provide him with money. Her salvation comes in the form of an old friend (Kostas Kakkavas), wh...

Two siblings grow up without their parents and are placed in various institutions. Their life is a hard process of maturing, being separated and reunited over and over again. Eventually, they drive of...

In 1939 the motion picture was made into a sound film in Hollywood. In the village of Pentagious in Central Greece, a beautiful girl (Nela Mai-Frida Poupelina), baptized by Father Gabriil (Achilleas M...

The Cypriot orphan dress-maker’s assistant Nina lives in Athens, in a housing complex of Mrs. Froso. She falls in love with Lakis, a university student from Macedonia, but he is drafted and leaves f...

Athens, 1961. Alekos, son of the moneylender Lampros Kontarinis, meets Dora Fotiou, who grew up in an institution, studies law and is tortured by the strange image of a frightened girl on a deserted r...

In 1927, a young man (Kostas Chatzichristos) leaves Alexandroupolis to study in Athens. Instead of completing his studies, he meets three girls and gets them all pregnant before abandoning them for h...

The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...

Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...

The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...

The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...

The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...

The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...

Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...

It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...

STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].

Monthly publication of cinematic art. Illustrated.

STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].

PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...

Weekly publication featuring a variety of topics on cinema. Page 461 is selected: "Save yourself from stage fright. The troubles of being on stage". 8th FORMAT

DECOUPAGE WITH DETAILED REFERENCE TO THE NUMBER OF SCENES, IMAGES AND SHOTS.

PLAYBILL OF THE “TIMES SQUARE THEATRE”, 20 APRIL 1924, ANNOUNCING THE FILMS THAT WILL BE SHOWN. IT INCLUDES MANY PHOTOS FROM THE GREEK FILM “THE GIPSY WOMAN FROM ATHENS”.

STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.