A film about the three friends from a village below Karlštejn castle, one of which returns home from the war as a Russian, the second as a French legionnaire and the third as an Italian legionnaire. ...
After the tragic death of King Alexander Karadjordjevic in Marseilles in 1934, a number of film anthologies with recordings from his life arose. One of them, with emphasis on the events from the Firs...
One of the last films about the King Alexander Karađorđević screened in 1934, the year of his tragic death. King Alexander Endowment, Memorial church of St. Archangel Michael with the crypt – the...
In postwar Thessaloniki, Dimitris, a young man, "arrests" Spyros, a kid who stole a wallet and tells him his story, namely the story of the 160 children that made up "The Barefoot Battalion" and strug...
The film found in the heritage of Osijek producer and owner of the cinema, Ignjat Rajntaler, which is kept in the Film Archive of Austria, is actually composed of several different materials about the...
Manolis, an officer of the Greek Army (Alekos Alexandrakis) arrives on Crete, after its fall to the Germans. In collaboration with partisans and allied English saboteurs, under the leadership of capta...
Cavalry manoeuvres held on July 27th, 1912, by the Ticino river, in front of the Count of Torino: descent to the Ticino river, pontoon boats transportation, river crossing on horses. This event is do...
One night, after saying her boyfriend Ángel Montes goodbye, Adriana has to go to the chemist’s to buy some medicine to her mother. On the way she is assaulted by the Marquess ‘del Olmo’ and two...
Screenshot from "Heimkehr"
Dagny Servaes, Adolf Klein, Ernst Hoffmann, Heinrich Schroth, Käte Haack (v.l.n.r.)
Film poster
Still from "Tirol in Waffen"
Still with Rudolf Biebrach (in the middle)
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Still with Rudolf Biebrach (on the left)
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische Unterst...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...