Germany, summer of 1914: Far from the horrors of World War I, 24-year-old farmer's wife Luise lives alone on a remote farm in Alsace, then part of Germany. But one day, a young French woman named Hél...
The Red BaronDramatized filmic biography about legendary pilot Manfred von Richthofen, who was nicknamed "The Red Baron" for his red-painted fighter plane. During World War I, Manfred von Ri...
Documentary on the effects of globalization. For a long time, the world divided itself between those with property and those who had nothing. Or to put it differently: between the industrialized natio...
Europe, during World War II. Ever since French Jew Shosanna Dreyfus had to watch how a group of Nazis murdered her family, she has also one thing in mind: She wants to take revenge. Disguised as a cin...
Documentary film about Peter Handke (*1942), one of the most famous contemporary Austrian writers. With works such as the play "Offending the Audience" (1966) and the novel "The Goalkeeper's Fear of t...
Consisting mainly of intertitles, the images show something of the animal world in one of the worlds earliest Nationalparks (1914)
The video shows the first five minutes of the film. Film synopsis: When Hamburg ship's mate Klaus Brandt catches a thief one night at the port, his downfall is pre-ordained. For the thief turns out to...
BedbugsRocky used to be a known womanizer. Although almost fifty and way beyond his prime, he still hits on much younger women – with little success, for his view of the other sex has aged just as b...
Screenshot from "Heimkehr"
Dagny Servaes, Adolf Klein, Ernst Hoffmann, Heinrich Schroth, Käte Haack (v.l.n.r.)
Film poster
Still from "Tirol in Waffen"
Still with Rudolf Biebrach (in the middle)
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Still with Rudolf Biebrach (on the left)
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische UnterstÃ...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...