Short newsreel item on Venice during the First World War, focusing in particular on Venice's canal network, used to transport men and munitions.
A collection of fragments of British and Australian aviation film of the First World War period.
"The Retreat From Ghent - Belgian cavalry and artillery falling back on Bruges".
VICTORY - GOD BLESS THE BRITISH ARMY THAT HAS SAVED OUR HOMES AND OUR ALL!: Stock footage of mortar launcher, bi-plane, and tanks. AND OUR INDOMITABLE SONS OF THE SEA WHO HAVE SAVED US AND OUR ALLIES ...
The assembly groups the films into episodes as follows: (Reel 1) Salonika, the voyage to Egypt, the ceremony of the drums, the aeroplane flight; (Reel 2) the horse show, scenes at a 'cactus patch' loc...
British and Belgian troops on dockside at Ostend. "Trekking To Safety - British and Belgian troops watch the departure of the refugees from Ostend" - one shot only after this title.
I. Spanish language version of a newsreel item on the city and cathedral at Amiens after the German failure to capture the city, 5th-7th April 1918. II. Spanish language version of a newsreel item on ...
I. Newsreel item on a long mule train, with Indian Army drivers, in the deserts of Palestine, late 1917.II. Brief newsreel item on a long line of limbers and GS wagons making their way forward down a ...
Robert Meyer, Gisela Schneeberger in "Und Äktschn!" (2013/14)
Maria Holst, Paul Henckels, Willy Fritsch (v.l.n.r.)
Szene mit Marte Harell (links), Willy Fritsch (2.v.l.), Hermann Brix (2.v.r.)
Christian Ulmen, Aylin Tezel in "Macho Man" (2014/15)
Filmplakat von "Max, der Taschendieb" (1961/62)
Birte Schnöink in "Amour Fou" (2013/14)
Ali Hakim
Christine Urspruch, Teresa Weißbach, Jan Josef Liefers (v.l.n.r.)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.
Russian melodrama about the heroic deeds of a woman during the First World War.