(Reel 1) Food, fodder and equipment are unloaded at a railhead freightyard, and put into motorised and horse-drawn vehicles for the trip up to Mount Tonale and the River Piave valley. The convoys move...
The style and tone of the film are light with attempts at humour. Its stated policy is that "items of camp interest will be specially filmed and displayed in the Board's Garrison Theatres and Cinemas ...
I. Animated graphics of a map of the battle, showing the initial dispositions, divisional boundaries, and the three phases of the Canadian offensive. The animation includes a representation of the rol...
The film includes some fakes and a large number of stockshots. It concerns a battery of two 13-pounder Mark III anti-aircraft guns mounted on Thorneycroft lorries by Mark I lorry mounts, together with...
The rail station at Châtel-Chéhéry near the Aisne on 11th October 1918 showing the limit of the German advance to Paris. A view of the town itself two days later. German prisoners of war at a camp ...
Watering horses of 1st Field Artillery Brigade in the Forêt de la Reine, just north of Boucq, with considerable military traffic congestion. Men of 18th Infantry Regiment advancing in 'artillery form...
A German 420mm railway gun captured by the Australians in the Battle of Chipilly Ridge. Four Americans "of a famous division" with the fourteen German prisoners they took in the Argonne. A German 210m...
Troops repairing bridges throw rocks to splash the camera. Varennes (where, in July, 3rd Division earned the title 'Marne') showing extensive damage. An American discovering a German booby trap (acted...
Cinema italiano - Scena - Fascismo
Cinema italiano - Cinema muto - Scena - Bambini
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Memo on filmmaterial (negative film) for "Liebe ohne Illusion".