A British military band escorts the Italians through the streets of Blackpool as civilians watch. In various scenes the Italians wear either undress uniforms with cloaks or their highly ornate full dr...
There are three types of trap, all working on the same principle. The Tank Corps men look firstly at a simple 'hedge' of wooden stakes driven at an angle into the ground. A Mark V male tank demonstrat...
Soldiers simulate a night attack, blindfolding themselves before charging out of a trench down a course. Other soldiers build barbed wire entanglements while wearing gasmasks. Two soldiers in a foxhol...
I. A Machine Gun Section of seven men with one Lewis gun walking in line across an open field comes to a ridge, and the men form for action. Four men go forward to set up the machine gun (a gunner, a ...
The film states that between 5th March 1915 and 15th April 1918 over 370,000 refugees (57,000 men, 190,000 women and 123,000 children) passed through Switzerland. It does not make it clear from where ...
The troops interned in Holland include members of the original BEF of 1914, crashed airmen, shipwrecked sailors and men in the process of repatriation from German prisoner of war camps. A large group ...
Soldiers make an attack from the trenches. One such soldier (in an acted sequence) is handed his discharge notice in the trench by an officer. The men who have been discharged board a ship to cross th...
(Reel 1) Food, fodder and equipment are unloaded at a railhead freightyard, and put into motorised and horse-drawn vehicles for the trip up to Mount Tonale and the River Piave valley. The convoys move...
Cinema italiano - Scena
Cinema italiano - Scena
Cinema italiano - Scena
Cinema italiano - Scena
Cinema italiano - Scena
Cinema italiano - Scena
Cinema italiano - Scena - Persone
Cinema italiano - Scena - Persone
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...