I. Rally in Berlin. Dr. Otto Nuschke, Deputy Chairman of the Council of Ministers of the GDR, speaks.– II. Sofia. Welcoming delegates for the World Federation of Democratic Youth session. Chairman B...
The video shows the first five minutes of the film. Film synopsis: Famous theatre director Peter Zadek′s feature film debut tells the story of a pupil of a Bremen grammar school who tries to change ...
Medium long shot silhouette off starboard bow of HMS Malaya steaming with guns trained over the beam - the cameraship changes its bearing during the sequence from starboard bow to dead ahead to port b...
The film dedicated to Czechoslovak legionnaires in the First World War begins with symbolic shots illustrating the outbreak of the war conflict - title Sarajevo, animated map of Europe afire and a det...
I. The first sequence consists of static or stop-action scenes of a number of gas masks or gashoods displayed one at a time against a white background. Firstly the British P or PH gashood of 1915 with...
Medium shot of Thornycroft V Class destroyer steaming at speed. Medium long shot off port quarter of two battleships - the nearest is HMS Canada preceded by an Iron Duke flying a kite balloon. Long sh...
I. 'BLESSING THE SHELLS. A French Priest blesses the shells as they are loaded into the famous seventy-five' (sic) guns used by the French Artillery.' Bearded priest holding a crucifix, makes a benedi...
I. 'THE PIGEON AS POSTMAN. Taken up on motor cycle to the trenches the birds except for casualties, never fail to reach "home" behind the lines where the telegraphist sends on the message.' Pigeons ar...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Prager Tagblatt, 203
Prager Tagblatt, 203
Filmwelt, 21/xx
(Der) Kinematograph, 117/xx
(Der) Kinematograph, 131/26