Views of the Mafra Convent. Interiores: statues, bas-reliefs, objects. Room decorated with deer heads.
Algarve: a succession of travelling shots along roads flanked by almond trees in bloom.
Fragment. Views of the cocoa cultivation in São Tomé and Príncipe.
Unedited footage. Images of the Carmo's ruins, in Lisbon. Still frames.
Shot of the school façade with a group of students walking down the stairs, some leaving the premises through the main door, others entering through the school gate which gives access to the garden.
Film about a sports festival in Amadora in 18-03-1917: air show, athletics competition (race), fundraising to help the war wounded.
Film about the Dala falls, in the Lunda Province, in Angola.
Unedited footage. A crowd wtaches the Procession of Rainha Santa during the Queen St. Isabel Celebrations in Coimbra. Landscape views of the Mondego river and its banks.
portrait
Film frame
portrait
Film frame
Portrait
Film frame
Set photo.
Film frame
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.