Funeral ceremonies of Portuguese former King D. Manuel II.
The benefits of CUF’s fertilisers for the crop cultivations. Digital item of the film print preserved with the support of CUF – Companhia União Fabril, Consultadoria e Serviços, SA.
Views of the Portuguese World Exhibition, commissioned by Cottinelli Telmo, highlighting the colonial section.
The labor in Leixões’ Harbour. Crab, sardine, field fertiliser, the work on the nets. Boa Nova’s lighthouse.
Artistic and architectural elements of the Torre de Belém (Lisbon).
Opening of the dog show in the Lisbon Zoo. Festivities at Alverca airfield.
Horses and people dressing attire from various eras. Parade at Campo Grande, near the bullfight arena.
Greenhouse. Madre de Deus Church. The ruins of Carmo's Convent and of cardinal D. Luís da Cunha’s Palace. São Vicente de Fora, National Pantheon, Lisbon Zoo.
portrait
Film frame
portrait.
Film frame
Portrait of Henrique Alegria, manager of Invicta Film, in his office.
film frame
Film frame
film frame
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.