The launching of the destroyer ‘Tejo’ in the river Tagus – shipyard Rocha de Conde d'Óbidos, Lisbon, with the presence of the President of the Ministers Council.
The 70th anniversary party of Abade de Baçal, in Bragança, April 1935.
The ceremonies of the 11th anniversary of the 28th May. Parade in Lisbon in the presence of the high-level officials.
Episodes of daily life in the region of Beira Baixa, its monuments and industries. Views of Sabugal, Caria and Quadrazais. Images of the bottling of Caria’s Water and of a wild boar hunting.
Incomplet. The film follows the arrival in Lisbon of a UFA delegation to shoot some of the scenes of Estupefacientes/Der Weisse Damon (Kurt Gerron, 1932) and its french version (Stupéfiants).
A film about chestnut groves. Images of chestnut harvesting and processing, chestnut roasters and street sale.
Newsreel on the 5th International Congress of Vine and Wine: car tour across Portugal, parade of folklore ranches from the different farming regions.
Views of Estoril – casino and garden, villas, hotels and palaces, beach, train station, tennis court.
Film frame of the film 'Panoramas do Porto' ('Panoramas of Oporto', c. 1900).
Portrait.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame.
Film frame
Film frame.
Notes on the need of a law enforcing the protection of the Portuguese film industry.
Short note on the inexistance of Portuguese legislation on film industry.
A foretaste of Portuguese cinema's success in the year of 1930.
Notes on the educational potential of film.
On the potentials of sound film for the recording of Portugal’s oral traditions.
A protest on the fragmentation of a film about Angola as a way for exhibitors to enforcing the law.
Notes on a group of documentary films and on documentary cinema in general.