Landscapes and textile industry of Covilhã. Pasture areas, weaving and wheel factory, the wool's processing. Vegetables' market.
Unedited footage. Equestrian Centre in Campo Grande, Lisbon: shots of a horse ride and the audience.
Images of the village and its surroundings (Porches’ hill, film-theatre, church square, Carvoeiro Beach). Unedited footage.
Unedited footage. The site and prep work for the festivities of São Torcato (a religious celebration which usually includes the blessing of animals and a livestock contest), in Guimarães.
Corporate journey in Vila Nova de Gaia and Oporto in 18th April 1936. Includes food and clothes distribution to the poor.
Vila Franca de Xira: formal sitting at the City Council. Allegoric parade with the participation of the region’s sport and trade associations.
Unedited footage. Advertising film of canned tuna produced by the company Mello, Castello Branco, Ltd.
The film follows the visit of a delegation of foreign writers to Portugal.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Article on the director’s position in the Portuguese film industry and on his joining the Empresa Leitão.
On the use of portable projectors for home sessions and as an aid to education.
Notes on the film productions of the daily newspaper “Diário de Notícias”.
Announcement of the foundation of Portugália Film, its goals and ambitions.
On the celebration of the 3rd anniversary of the film magazine and the programm presented at Salão Trindade.
On the installation of Empresa Leitão and the production company’s starting activities with references to its first film.
Commentary on the exhibition of the group of 12 films of the series ‘Portugal pittoresco e monumental’.
Notes on the film and its thematics.