Incompleto. Film on the sanatorium for treatment of Tuberculosis, instituted in the Fort of Santiago do Outão, located in the river Sado’s bay. Views of the ward and outdoors.
Incomplet. A film stroll through Setúbal and its productions: wine, rice and salt. In an winery, the process of embattlement. The weeding at the rice plantations. Men carrying salt on a saline.
Documentary film on the village of Palmela and its region: images of the castle, pillory, People’s House, the daily labor in the streets, Arrábida’s hill, the chapels of Bom-Jesus, Alpertuche Bea...
Documentary film on the city of Setúbal, depicting some of its main monuments (Fort, Ducal Palace, Churches, Convent and Chapels) and its arquitectural designs.
Views of the city of Setúbal (50 km from Lisbon).
1st part of the documentary film “Setúbal”. The palaces Duques de Aveiro and Bacalhoa; Capela das Necessidades, Alcube valley; Praça do Bocage, Quinta das Torres, Victoria Foot-Ball Club.
Report on the day-to-day labor in a wheat production unit.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Notes on the work of film director José Branco Gomes Barata.
Notes on the team work; set still of Fernandez Tomaz.
A letter to the periodical on the authorship of the film «Angola» (1930).
Criticism on the weaknesses of the Portuguese documentary films included by law in every cinema-shows.
On the film potential in the domain of tourism. An incentive for that type of film.
On some weaknesses of the protection law stipulating the inclusion of 100 m footage of Portuguese documentary films in commercial scéances.
Notes on the first film exhibitions in Portugal and on Portuguese early films.
Notes on the huge development of documentary film, namely in Germany.