Documentary film on the daily life in the Military School: classes, sports (swedish gymnastics, leaps, pole vaulting), artillerty exercises, a parade featuring the school’s band.
The Cavalry Squadron ‘Dragões de Moçambique’. Views of the quartering and military exercises.
Incomplet. Views of bathers and beaches of Parede, Tamariz, Conceição and Ribeiro in Cascais. Streets, hotels and chalets of Estoril. Shows, sports and leisure. Fishermen patching the fishing nets.
Non-fiction film on the key-players of the military coup of 28th May 1926, which brought the First Republic (1910-1926) to an end.
Newsreel on the Spanish Civil War. Upon today's knowledge, only the image subsists.
Digital item of the film print preserved with the support of Oeiras City Council. Images of the north shore of Tagus’ Estuary and of the aforesaid locations.
View of Colares and its region. The manufacture of Colares’ wine. Adraga beach. Maçãs beach. The Maçãs beach tram. Azenhas do Mar.
The labor of sardine: fishermen at sea, patching of the fishing nets, casting and drawing of the nets.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.