Hollandia Film-fragments of the films OORLOG EN VREDE 1914 (Maurits H. Binger, 1918) and BLOEDGELD (Fred Goodwins, 1921).
Drama in which two kidnapped persons, employees of a diamond cutting establishment, chase their kidnappers, a mine owner and his lover.
International newsreel with ten different elements, among them a fashion show in Paris, followed by different shows and demonstrations of airship, planes, motorcycles, cars, tractors and other farm ma...
Melodrama in which the rich and arrogant George promises to give money to the penniless Frank and Jane, on the condition that he could spend the night with Jane. She agrees with this, hoping to save h...
Based on an English fairy tale in which poverty forces Jack to sell their cow, but in exchange gets beans instead of money. Eventually he uses the magic beans to wind up in the castle of the giant.
A documentary film on recent Norwegian history (1905-1955). Spanning from the break with Sweden and arrival of the new king Haakon VII, to the promise of things to come through such new fields as spac...
The farmer's daughter and her young man spend idyllic moments in the countryside, riding in a buggy and then rowing on the lake. The girl plucks a daisy: "He loves me, he loves me not..." but of cours...
Film documenting a tortuous series of cavalry exercises. It includes a harrowing sequence of horses descending steep hills and cliffs and jumping into the water. Film restored in collaboration w...
John Malkovich, Volker Schlöndorff (vorne, v.l.n.r.) (Dreharbeiten)
Wilhelm Dieterle, Margarete Lanner
Brigitte Grothum
Bozidar Kocevski (right) in "Darkroom" (2019)
Willy Birgel, Marianne Hoppe, René Deltgen (v.l.n.r.)
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
Dialogue list (excerpt) for "...und abends in die Scala".
Internal correspondence regarding "...und abends in die Scala".
Daily production report on the shooting of "Was eine Frau im Frühling träumt", No. 1, 02 May 1958.
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...