Propaganda- og hvervefilm om træningen af britiske luftfartskadetter i perioden omkring første verdenskrig.
Images of soldiers in Berlin and in a Red Army station on the front.
Shots of the landscape in the surroundings of Berchtesgaden and the Königssee in Bavaria.
On the ground, men try to control a dirigible's cables to help it land near a hangar. Once again in flight, this dirigible meets another, Astra dirigible.
Reel 1. 1. Intertitle: The harvest. The flax stalks are not cut, but picked. Image: Russians POWs pick flax stalks under the supervision of a German soldier; children gather bundles of flax, which are...
Australian troops practising bomb (hand grenade) throwing from slit trenches. The explosions are filmed at various angles and distances. The 'cup final' of 7th (Meerut) Division football championships...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
'WOMEN WINNING THE WAR: Women and boys working in munition factories replace men who are able to join the colours. Working on capstan lathes and large vertical drilling machines'. A brief scene of a b...
John Malkovich, Volker Schlöndorff (vorne, v.l.n.r.) (Dreharbeiten)
Wilhelm Dieterle, Margarete Lanner
Brigitte Grothum
Bozidar Kocevski (right) in "Darkroom" (2019)
Willy Birgel, Marianne Hoppe, René Deltgen (v.l.n.r.)
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
Dialogue list (excerpt) for "...und abends in die Scala".
Internal correspondence regarding "...und abends in die Scala".
Daily production report on the shooting of "Was eine Frau im Frühling träumt", No. 1, 02 May 1958.
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...