The past recaptured by Aldo Palazzeschi. The moody and sardonic spirit of his early youth, ironic comments about experiences with "crepuscolarism" and "futurism". His poetry carefully captures w...
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
Just outside the old city walls of Rome, we find a mass of washed-out houses and bumpy streets arranged in a geometrical pattern that makes them anonymous and depersonalized. The documentary fil...
The first Norwegian film with international ambitions, Thin Ice is a story of young love, corporate ambition, and a daring nighttime caper. Tom, a strapping young student, gets his dream job as an adv...
From 1891 to 1945, a popular form of iconography thrived next to the official one documenting Italy’s political and social life. This alternative iconography can be found in humorous and satir...
Barbarians outside: yesterday as today. Who have centuries of civilization gone by for? Not even appearance has altered the Norman in his barbarism. This great work from the Ambrosio hotbed admi...
Napoleon is called up to the army, and says goodbye to Sally, and to the people in the film studio. He leaves. But Sally quickly chases after him, and together they arrive at "Fort Skiddoo". The chaot...
Heiner Lauterbach, Ulrich Noethen (v.l.n.r.)
"Die wilden Kerle" (2003)
Szene aus "Milltown, Montana"
Aribert Wäscher, Renate Müller
Franz Rogowski in "Lux - Krieger des Lichts" (2017)
Dorothea Wieck, Friedrich Schönfelder
Szene aus "Deutsche Herzen am deutschen Rhein"
Filmplakat
Trailer (draft) for "Liebe", handwritten.
Dialogue list (excerpt) for "...und abends in die Scala".
Internal correspondence regarding "...und abends in die Scala".
Daily production report on the shooting of "Was eine Frau im Frühling träumt", No. 1, 02 May 1958.
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Costume excerpt for "The Indian Tomb", part of "Chandra" played by Walter Reyer.
Daily production report No. 34, 16 February 1966 on the shooting of "Lange Beine - lange Finger".