Celebration of the centenary of the Belgian Red Cross.
The musical legacy of Queen Elisabeth of Belgium: the genesis of the annual Queen Elisabeth Music Competition.
The musical legacy of Queen Elisabeth of Belgium: the genesis of the annual Queen E...
1 - 28 giugno 1914:
2 - nella piazza di una città dell'Austria delle bambine vestite di bianco si esibiscono in un saggio di danza per celebrare la chiusura dell'anno scolastico
3 - la ...
The film dedicated to Czechoslovak legionnaires in the First World War begins with symbolic shots illustrating the outbreak of the war conflict - title Sarajevo, animated map of Europe afire and a det...
I. 9.2-inch coastal gun is reloaded.II. Medium shot of HMS Walker (G.08) steaming at speed in a slight sea. Medium close-up of a sailor of HMS Woolston, playing with a kitten.III. Long shot views of s...
The 'big battle' structure of the film opens with the preparatory bombardment for the days before the attack, the Infantry marching to their final positions, the attack itself, the casualties, prisone...
The King and Queen arrive in Calais to start the visit. The King inspects war trophies at Bailleul with General Sir Herbert Plumer, then goes on to watch a tank demonstration and talk with a group of ...
A column of men from 1st Balloon Company, in the Meuse or Moselle region, march through a village. British "8-inch Naval rifles" (in fact 6-inch Mk VII guns) being fired by gunners of 27th (New York) ...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 368 (1914).
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 367 (1914). Werbung
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Goetz, Hans. "Kinematograph und Wissenschaft (Schluß)." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 28-32. Goetz beschreibt in seinem Artikel die neuesten Fors...
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.