(Reel 1) King George V and General Sir Herbert Plumer, commanding Second Army to which the two divisions were attached, are greeted by 30th (Old Hickory) Division commander, Major-General Edward M Lew...
The film is partially completed, and shows some signs of proper editing, but scenes may break off abruptly in one reel and resume in another reel. Throughout the film numerous reporters, press photogr...
The footage, filmed on May 30, 1915, records a WWI intercession procession before the Inner City Parish Church, the Basilica, and the Parliament. The creators of the film concentrated on the famous pe...
The daughter of the farmer András Balogh, Juli, is confused by the sight of a circus, she leaves her native village secretly and enters into an engagement with the dance master at a night club in the...
(Reel 1) The film opens with unrelated scenes of the Western Front, mainly the Marne and Château-Thierry areas. Then Theodore Roosevelt beside the grave of his son Quentin. Behind-the-lines scenes of...
The film emphasises the pre-war uniqueness of Britain, rich, insular, with a strong trading position and a free democracy united under the constitutional monarchy. The only pre-war violence comes in t...
(Reel 1) Training the New Army - "cheery non-slackers" undergo PT, drill and bayonet practice, mounting and sabre drill for cavalry. (Reel 2) Manufacture of a 15-inch naval gun and firing trials. (Ree...
The wife of Lőrinc Gáthy (Mr. Wickfield in the Croatian version) dies in childbirth. A female relative offers to take care of the motherless child and the household, but Gáthy declines the offer be...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
B.T., Messters Kriegskinos, Der Kinematograph, 437, (1915), S. 19. Meldung, dass die Firma Messter die Erlaubnis bekommen habe, regelmäßig an der Westfront Filmaufnahmen zu machen.
Häfker, Hermann. "Sind die 'kleinen' Kinotheater der Reform schädlich?" Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 58-60. Häfker geht davon aus, dass die ...
Nordisk Films GmbH, Jede Woche neue Kriegs-Aufnahmen, Der Kinematograph 406, (1914), S. 3. "Jede Woche abwechselnd neue Kriegsaufnahmen vom Westen und Osten (eigene Expeditionen)".
E. Osten, Kinematographie des Krieges, Erste Internationale Filmzeitung, 9.Jg., Nr.21, (1915), S. 16-18. Bericht über den Einsatz aus dem Flugzeug aufgenommener Filme zur Aufklärung feindlicher Stel...
Eiko Film. „"Eiko-Woche“ ist die beste Kriegsberichterstattung" Der Kinematograph 404 (1914): 1.
Rundschau, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 34-41. Berichte über Firmen, die mit Pathé Frères in Verbindung stünden und deshalb boykottiert we...