Film restored in collaboration with Cinémathèque Suisse.
The film is constructed on a contemporary requirement tied to the wartime situation, seeing as Italy had gone to war with Austria in May 1915. At the end of the wedding ceremony the procession o...
A short but extraordinary scientific documentary: from caterpillar to chrysalis, from chrysalis to butterfly. Film restored in collaboration with Nederlands Filmmuseum.
The emergency reconstruction after the 1915 earthquake is still the core of many villages of the Marsica area (in Abruzzo). This documentary is about the villages hit by the earthquake in their ...
This film is also known by the title "L’ipocrita smascherato". In respect to other FAI films, it contains quite an innovative scene, in which the loan shark is on a train, looking out the wind...
On the 150th anniversary of the Carabinieri Service, this documentary commemorates the service’s history, founded on the motto “For Centuries Faithful”. A celebration of Carabinieri histor...
Si tratta di un frammento di una breve commedia di ambientazione napoletana, in cui l'attore Vincenzo Scarpetta, figlio del commediografo Eduardo, è alle prese con una Miss d'oltre Atlantico, l...
The past recaptured by Aldo Palazzeschi. The moody and sardonic spirit of his early youth, ironic comments about experiences with "crepuscolarism" and "futurism". His poetry carefully captures w...
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot from "Bilder aus der großen Schlacht. 5. Teil"
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...