Melodrama about presumed adultery, jealousy and honour.
Melodrama featuring Lulu, a circus dancer who, as a femme fatale, brings misfortune upon three men.
Adventure film in which Lidia calls for the help of film hero Maciste. When she and her mom are being kidnapped, he manages to free them.
Comedy about soldier Tontolini who keeps his money in the sheath of his sword. When he wants to pay, and therefore pulls his sword, the police is called. Subsequently the misunderstanding is cleared u...
Short silent crime film about a man who is sent away by his wife. He joins a group of bandits who are aiming to make an express train derail. Coincidentally, his daughter finds herself in a goods wago...
Short comedy full of misunderstandings about a newlywed man who tries to pick up a woman who turns out to be his mother-in-law.
Newsreel item about a fashion show on behalf of a home for blind war victims. In a room several ladies are showing hats and clothes.
Anti-war film: Five different men meet each other during the First World War in a hiding place between two fronts. They find each other in the shared viewpoint that war is senseless.
Still from "Gebrochene Schwingen"
Lissy Arna, Luis Trenker
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
Still from "Die Strafgefangene Nr. 63. Unschuldig verurteilt"
Still from "Dämonit"
Paul Wegener
Still with Carl Clewing (front, on the left)
Paul Kronegg, Traute Carlsen, Franz Herterich (from left to right)
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...