Short item about the Van Berkel seaplane The Rotterdam engineering factory Van Berkel was well known for its meat-slicers and scales. But between 1918 and 1921, Van Berkel, commissioned by the Departm...
Short war reportage about the German naval ship 'Möwe'. This ship holds up British ships, takes the crew aboard and destroys the vessels. Also ships from neutral countries are treated in this way.
Images, from 1914, of the production of airplanes: A double-decker is taken outside and the motor is assembled on it. The plane can be transported entirely in parts, as a construction kit.
Shots taken from a plane flying above the Alps. Also shots of the plane itself.
Coloured images of a fleat of several cruisers steaming up.
Melodrama in which the rich and arrogant George promises to give money to the penniless Frank and Jane, on the condition that he could spend the night with Jane. She agrees with this, hoping to save h...
A corporate film by the Maastrichtse Zinkwit Maatschappij (a zinc oxide manufacturer) in Eijsden.
The farmer's daughter and her young man spend idyllic moments in the countryside, riding in a buggy and then rowing on the lake. The girl plucks a daisy: "He loves me, he loves me not..." but of cours...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...