Two items from this issue: "The Atlantic Flight - Miss Catherine Masson christens the waterplane "America" which is to attempt the great flight across the Atlantic." "Great Britain Prepares - Scenes ...
British and Belgian troops on dockside at Ostend. "Trekking To Safety - British and Belgian troops watch the departure of the refugees from Ostend" - one shot only after this title.
"The Retreat From Ghent - Belgian cavalry and artillery falling back on Bruges".
"King And President - The King of the Belgians and President Poincaré leaving Furnes after an inspection of the French Cavalry in the market square".
"The New Army Difficulties - Soldiers making their way to their billets through the flooded district".
"War In The Snow" - Severe snow storms add to the discomfort of German troops who are compelled to leave their dug-outs to prevent being frozen to death.
"In The Vosges - The ruins of La Bourgonce where the German troops suffered heavy losses".
"FRANCES' DAY. London celebrates 14th of July by wearing the tricolour in honour of her glorious ally." British Army officers stand in busy street with girls sporting bonnets and dresses decorated in ...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...