Two fellow sailors narrowly escape death during a hurricane. Two sisters get engaged to two sailors, who are friends with each other. The men go out fishing on the “Thomas S. Corton”. Just as th...
The young train driver Max has to rescue his beloved Lisabeth, the daughter of the station master, from the hands of two drifters who try to break into her home to steal the wages of local miners.
A short melodrama about the love entanglements of Greta, the daughter of a white farmer in (South) Africa.
Louisette in Amsterdam is part of the film Van Boerin tot Ster.
Magde leaves her fiancé Lewis in order to take care of Lulu, the child of her deceased sister, in New York. After some time, chance brings the two lovers together again.
The performance of Teirlinck’s allegorical play “'De Torenbestormer'" (The Tower Stormer), performed by the Delft student association on the occasion of the anniversary celebrations.
A ship castaway causes problems.
A successful lawyer has to defend the brother he had had lost sight of years before.
Branislav Trifunovi?, David Thornton (v.l.n.r.)
Szene aus "Losers and Winners"
Szene aus "Noise and Resistance"
"Above and Below" (2012-14)
Filmplakat
"Messi and Maud" (2017)
"The Farmer and I" (2013-16)
Steve Coogan (front) in "Shepherds and Butchers" (2015/16)
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Screenplay (excerpt) of "Winnetou und Shatterhand im Tal der Toten".
Daily call sheet for 19 July 1968 for the shooting of "Winnetou und Shatterhand im Tal der Toten".
Daily production report No. 14, 07 August 1959 on the shooting of "Du bist wunderbar".
Brief des Landesverbands der katholischen Männervereine und Kasinos in Bayern e.V. an das bayerische Innenministerium, mit der Bitte die Vorführung von "Frauennot - Frauenglück" in jeder Form unmö...
Daily call sheet for 29 July 1968 for the shooting of "Winnetou und Shatterhand im Tal der Toten".
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...