Film on the city of Viseu and its several touristic spots: churches, monuments, forts, 15th and 16th century houses, palaces, hotels, ancient and modern streets and avenues, parks and bridges.
In a fire drill, a phone call alerts the firefighters to a fire in a block of flats. In the barrack, firefighters go to their vehicles to fight it and perform a rescue.
Cats. Several meanings: a profession (those who repair broken tableware), a funeral car, a thief.
The garden of Parque Eduardo VII, Lisbon. Recreation of the village of Sam Corlá, Guinea. Overview of Lisbon, Avenida da Liberdade, Rossio.
Portrayal of a hunting in the Mossamedes Desert: a hiena, springboks, zebras.
Aspects of the day-to-day work in Oporto.
Melon growing in the region of Ribatejo. The Palha Branco variety. Its growing, consumption, packaging, transportation and exportation. Views of Vila Franca de Xira, harbour and boats.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
On the Law of 1927 establishing as mandatory the exhibition of a 100m Portuguese film in every theatrical screenings
Notes on the need of a law enforcing the protection of the Portuguese film industry.
Short note on the inexistance of Portuguese legislation on film industry.
A foretaste of Portuguese cinema's success in the year of 1930.
Notes on the educational potential of film.
On the potentials of sound film for the recording of Portugal’s oral traditions.
A protest on the fragmentation of a film about Angola as a way for exhibitors to enforcing the law.
Notes on a group of documentary films and on documentary cinema in general.