Views of several locations in the North of Portugal: Melgaço and Viana do Castelo, the Senhora da Agonia Festivities, Lamego, the river Vouga railway line, the river Leça, Oporto and Gaia.
Amateur film; unedited footage. Images of the North of Portugal: a traditional parade, a horse show, a train on the banks of the Douro river, washerwomen, oxen carts, villagers and sheperds.
The monuments and landscapes visited by the group excursion.
Amateur film; unedited footage. A traditional dance during Epiphany’s Day (or Three Kings' Day) at Torre de Moncorvo's main Church square.
Incomplet. Images of Lisbon and and its different facets: shops, markets, parks, churches, monuments, palaces, streets, avenues and emblematic squares, viewpoints.
Coverage of the carnival party at the Paris film theatre, in Lisbon.
Parade of the Mocidade Portuguesa (“Portuguese Youth”) and outdoor mass in the Jockey Club’s field, 1938.
Melgaço (North of Portugal): views of the city and its surroundings.
film frame.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Diary notebook of the filming of whale hunt by Antunes da Mata.
Article defending the need of producing Portuguese colonial films.
Notes on the work of film director José Branco Gomes Barata.
Film review.
Notes on the film ‘Como se faz um jornal’, and the founding of a unit dedicated to producing colonial films.
Notes on the team work; set still of Fernandez Tomaz.
Notes on the film works of José César de Sá and Fernandez Tomaz.
Notes on how documentary films about Portugal can contribute to tourism reinforcement.