Study of seals and sea-lions at Calderpark Zoo, Glasgow. Concludes with section showing seals giving display in a circus.
Sponsored by Glasgow Corporation Education Committee, this educational film introduces the chief tools used by the carpenter.
A brigantine is carrying some lions from Africa destined for a zoo in Europe. The lions are held under control by a tamer, Jeannette. During the journey, the shady business manager, Johnson, falls in ...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
A camping expedition by an uncle and his nephew, showing the do's and don'ts of the countryside code.
In 1968 Irmin Schmidt and Holger Czukay founded the band Can in Cologne, which cultivated an avant-garde style somewhere between free jazz and funk, krautrock and psychedelic rock, and also experiment...
Filmplakat
"Above and Below" (2012-14)
Szene aus "Here and There"
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Szene aus "Noise and Resistance"
Irmin Schmidt in "Can and Me" (2022)
"Love and 50 Megatons" (2019)
Ken Duken
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...