Manos (Stefanos Stratigos), owner of a nightclub, is followed by a mysterious woman (Ilya Livykou). At the same time, the singer of the club (Efi Oikonomou) tries to get close to him, earning the trus...

This is a documentary which depicts life in Cuba and in the Cuban community of Athens, focusing on such Cuban musicians as Raidel, Magali, Pedro, Pilar, and others.

Mary and Nikos (Aliki Vougiouklaki and Alekos Alexandrakis) are a happily married couple whose life turns upside down when Mary’s friend, Lilly (Maro Kontou), borrows their new car. When Lilly crash...

Three cousins who share the same name and surname, Christos Delimanis, all share a large courtyard. The first one is a police officer, the second a habitually unemployed communist, while the third is ...

A Greek-British co-production featuring the adventures of a British secret agent (Lakis Komninos) who accepts his last mission in Greece. His mission proves to be very dangerous when double agents get...

The film is based on a true incident. In the year 1953, in a tobacco-growing village in Macedonia, a strange murder is committed. During the court hearing, it is evident, from the testimonies of the w...

Alexis is a soldier who manages to survive a deadly battle and then becomes a deserter, taking refuge in the barn on a nearby farm. Ermina, the young landowner’s wife, discovers him and offers him f...

When a friend of his dies, an isolated writer decides to abandon his solitude and look into the reasons for the loss of his friend. This decision will force him to face the people around him and final...

The begins with an explanation of the phrase "film noir", how it came about and received worldwide recognition. It is followed by a brief essay on the genre. There is brief note about the film at the ...

"A social comedy that offers several entertaining moments with the unbending humor of the great director" is characterized the film and Betty Davis "irreplaceable". There is a plot summary and basic d...

The program informs us that this is the Italian version (1947) of the silent film by Clarens Brown (125), and adaptation of one of Puskin's short stories. It mentions, also, the "huge box office" succ...

The programme for the Tower Film Club, a division of the Greek Film Archive Foundation includes the acting credits of Vittorio De Sica's film "The Bicycle Thief". The note begins with an extract from ...

Τhe program for the screening of Andre Dupont’s “Variete” includes a biographical note on the director along with information regarding his introduction to expressionism and his career in Amer...

The first part of the programme contains references to technique, art and its broader application in cinema, to the advances and innovations in 1920, to montage and the director. In the second part w...

The presentation refers exhaustively to the career of A. Cavalcanti, pointing out his characteristic "documentaristic following of the human soul". The program gives briefly the plot of the film, whic...

The programme mentions the trend toward co-productions, which started in the 1950s with France, Italy and other neighbouring countries, and refers to the creators and their films. Among them is André...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS