Giorgis, who is the only son of Manolis Bournovas, the chief shepherd of a mountain village, is also the bridegroom that every young woman in the village dreams of. However, he is head over heels in l...

Beautiful orphan Agni (Aliki Vougiouklaki) lives with her young brother Petrakis (Giannakis Kalatzopoulos). Their only source of income comes from the little grocery store that their parents left them...

This is a composite, three-part film comprising three independent stories with a common theme: Greek behavior when placed under foreign yoke. The first part, entitled “The Clock”, is a comedy se...

A blundering provincial (Thanasis Vengos) comes to Athens and does any job he is offered, without, however, being able to settle in one job because of his mentality and his naiveté. In the end, he ev...

A poor girl (Gkelly Mavropoulou), without a family, finds, in a rich young man, (Andreas Barkoulis) shelter from the difficulties of life. She decides to marry a wealthy engineer (Lampros Konstantaras...

1868, in the plains of Thessaly. Thanasis Vardas is a fine upstanding man who is pursued by a gang of Turkish Albanians and is forced to abandon his five-year-old son Giorgis in a monastery in Meteora...

A hale and hearty fifty-year-old, Ntinos Diamantis (Lampros Konstantaras), lives with his sister and pursues every attractive woman he encounters. When he meets twenty-year-old Korina (Nora Valsami) a...

A provincial man (Alkis Giannakas) gets mixed up with a criminal (Stavros Xenidis) and starts working for him. He gets entangles in a case of theft and blackmailing, which results in his death.

The programme for the film "Allegory" after details from the credits, mentions: the sculpture of Natalie Melas, the debunking of religious myths, ten scenes set at 360 degrees around the central axis,...

Programme for the IRIS Cinema Front page: 1. ÉCLAIR JOURNAL Newsreel 2. "HAPPY TRAMPS", starring LILIAN HARVEY, BILLY FRITCH, PAOUL KEBB. The synopsis and rating, "Unsuitable for the underage", ar...

The program starts placing the film ZORBAS in the same category with the tragedies which were conveyed at the cinema by Kakogiannis. Continues with statement that in the works of Kazatzakis (the movie...

"One of the films that marked the 1960s", the film boldly faces a social problem in a "non-sermonial manner". Information is provided on the very bold script- the author of the play on which it is bas...

The SPLENDID Cinema program. On the front cover, the cover: “The Greek Film Union. SPLENDID. ‘MINE FOREVER’, starring Elisabeth Berger and Hugh Sinclair. On the back page, an advertisement about...

The ORPHEUS Cinema program. On the front cover, cover with the title of the film now showing: “MANTALENA” starring Aliki Vougouklaki and Dimitris Papamichail. On the back page, the film synopsis a...

The introduction to the programme for April 1992 refers to: the birthday of Cahiers du Cinéma, director-critics, rarely screened films, and, finally, the film schedule.

Projection of the film "VAGABOND" (SANS TOIT NI LOI) directed by Agnès Varda with Sandrine Bonnaire, Macha Méril and Joel Fosse. On the cover, notes by the film’s creator entitled: “Notes on an ...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS