Giorgis, who is the only son of Manolis Bournovas, the chief shepherd of a mountain village, is also the bridegroom that every young woman in the village dreams of. However, he is head over heels in l...

Beautiful orphan Agni (Aliki Vougiouklaki) lives with her young brother Petrakis (Giannakis Kalatzopoulos). Their only source of income comes from the little grocery store that their parents left them...

This is a composite, three-part film comprising three independent stories with a common theme: Greek behavior when placed under foreign yoke. The first part, entitled “The Clock”, is a comedy se...

A blundering provincial (Thanasis Vengos) comes to Athens and does any job he is offered, without, however, being able to settle in one job because of his mentality and his naiveté. In the end, he ev...

A poor girl (Gkelly Mavropoulou), without a family, finds, in a rich young man, (Andreas Barkoulis) shelter from the difficulties of life. She decides to marry a wealthy engineer (Lampros Konstantaras...

1868, in the plains of Thessaly. Thanasis Vardas is a fine upstanding man who is pursued by a gang of Turkish Albanians and is forced to abandon his five-year-old son Giorgis in a monastery in Meteora...

A hale and hearty fifty-year-old, Ntinos Diamantis (Lampros Konstantaras), lives with his sister and pursues every attractive woman he encounters. When he meets twenty-year-old Korina (Nora Valsami) a...

A provincial man (Alkis Giannakas) gets mixed up with a criminal (Stavros Xenidis) and starts working for him. He gets entangles in a case of theft and blackmailing, which results in his death.

The begins with an explanation of the phrase "film noir", how it came about and received worldwide recognition. It is followed by a brief essay on the genre. There is brief note about the film at the ...

"A social comedy that offers several entertaining moments with the unbending humor of the great director" is characterized the film and Betty Davis "irreplaceable". There is a plot summary and basic d...

The program informs us that this is the Italian version (1947) of the silent film by Clarens Brown (125), and adaptation of one of Puskin's short stories. It mentions, also, the "huge box office" succ...

The programme for the Tower Film Club, a division of the Greek Film Archive Foundation includes the acting credits of Vittorio De Sica's film "The Bicycle Thief". The note begins with an extract from ...

Τhe program for the screening of Andre Dupont’s “Variete” includes a biographical note on the director along with information regarding his introduction to expressionism and his career in Amer...

The first part of the programme contains references to technique, art and its broader application in cinema, to the advances and innovations in 1920, to montage and the director. In the second part w...

The presentation refers exhaustively to the career of A. Cavalcanti, pointing out his characteristic "documentaristic following of the human soul". The program gives briefly the plot of the film, whic...

The programme mentions the trend toward co-productions, which started in the 1950s with France, Italy and other neighbouring countries, and refers to the creators and their films. Among them is André...

Weekly publication featuring a variety of topics on cinema. Page 393 is selected: "Films to be played. To the heights". 8th FORMAT.

Poster about two of Michalis Kakogiannis' films: 1)"A Girl in Black" with Ellie Lambeti's drawing – portrayal as the leading actress and 2)"Iphigenia", with two photos from the film. The film title ...

Periodical published by the Pan-hellenic Union of Film Industry Employees addressing employment issues in the sector. the article on the “History of the Cinema in Greece” on page 18 is most notewo...

STILL ABOUT THE FILM “ASTERO” STARRING ALIKI THEODORIDOU AND AIMILIOS VEAKIS, INCLUDING A PHOTO-SCENE FROM THE FILM.

WEEKLY NEWSPAPER ABOUT FILMS AND THE ARTS

FILM DIRECTORY OF ANDREAS CHALIOTIS’ PRODUCTION OFFICE SPANNING 1969-1970.

BULLETIN OF MOVIE CAMERA SHOTS ABOUT THE FILM “RETRACING THE STEPS OF ALEXANDER THE GREAT” ON 6/7/1963, WITH REFERENCE TO THE LOCATION AND THEME OF THE SHOTS, CAMERA MOVEMENT, LENS, FILTER, PHOTOM...

STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.