Officer Alexandros Komninos (Christos Politis) and soldier Kosmas Georgiou (Giannis Katranis) undertake a mission to spy on German forces on Bulgarian territory, and Nikitas (Stefanos Stratigos) with ...
A rich building contractor, Kleanthis Tompoglou, wants to marry off his silly son Roulis to an exceptionally smart girl, Toula. However, an employee of his, Bampis, is in love with Toula, and he resen...
Shortly before traveling abroad to study, a poor guy from the countryside (Angelos Antonopoulos) injures his leg, which then becomes paralyzed. He pities himself, abandons his studies and neglects his...
A group of young guys are looking for the women of their dreams, each following their particular fantasy. Giorgos and Andreas spend their little money pretending to be rich, while Thymios and Iraklis,...
Agni is a 20 year-old girl who sells flowers on the street and in nightclubs. She is in love with Petros, the son of a wealthy family, who is planning to ask her to marry him. Agni’s mother, Nina, i...
In a typical tenement building, a university student and the doorman’s daughter plot how to expose the pettiness of the petit-bourgeois tenants.
A poor man (Fragkiskos Manellis) accepts some money to impersonate a maharaja who has cancelled his stay at a luxurious hotel. When the real maharaja (Periklis Christoforidis) shows up, the poor man i...
Dimitris Thalassias is a single singing teacher at a senior high school in Athens and undertakes the care of a child abandoned by its mother at the door of the foundling hospital. He does everything r...
The VRETANIA Cinema program. On the front cover : “APRIL ROSES” followed by the film synopsis. Rated unsuitable for the under 17.
The introductory notes for the January 1989 programme by Mona Mitropoulou refer to: information on his life and career, his films, return and development in King Vidor, the theatricality of Hitchcock,...
On the upper part of the poster, the title of the film reads in black, capital letters: MARIA PENTAGIOTISSA. Below it, in smaller capital letters: “National-historical film, TALKING 100%”. Further...
In the beginning of our century, three couples find themselves invited by friend to his summer house. The stars manage to get involved both emotionally and sexually. Woody Allen's movies mainly deal...
The movie is placed within the framework of changes in the Chinese Cinema after the Cultural Revolution, when its topics changed and there was greater involvement of the individual. A summary of the s...
The poster is predominated by the portrait of a young woman, while in the background a young couple is depicted embracing behind steps. At the bottom of the poster, the title of the film reads: THE 4 ...
The film is presented through a retrospect of the Italian tradition to religious drama. A comparison is made of the approach to the theme with Pasolini's perspective and Zefirelli is considered "more ...
THE IRIS CINEMA PROGRAM WITH THE FILM SYNOPSIS AND ADVERTISEMENTS FROM THAT PERIOD OF TIME.
Weekly publication featuring a variety of topics on cinema. Page 393 is selected: "Films to be played. To the heights". 8th FORMAT.
Poster about two of Michalis Kakogiannis' films: 1)"A Girl in Black" with Ellie Lambeti's drawing – portrayal as the leading actress and 2)"Iphigenia", with two photos from the film. The film title ...
Periodical published by the Pan-hellenic Union of Film Industry Employees addressing employment issues in the sector. the article on the “History of the Cinema in Greece” on page 18 is most notewo...
STILL ABOUT THE FILM “ASTERO” STARRING ALIKI THEODORIDOU AND AIMILIOS VEAKIS, INCLUDING A PHOTO-SCENE FROM THE FILM.
WEEKLY NEWSPAPER ABOUT FILMS AND THE ARTS
FILM DIRECTORY OF ANDREAS CHALIOTIS’ PRODUCTION OFFICE SPANNING 1969-1970.
BULLETIN OF MOVIE CAMERA SHOTS ABOUT THE FILM “RETRACING THE STEPS OF ALEXANDER THE GREAT” ON 6/7/1963, WITH REFERENCE TO THE LOCATION AND THEME OF THE SHOTS, CAMERA MOVEMENT, LENS, FILTER, PHOTOM...
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.