A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
The people of Lochgelly at work and play, with footage of wash day and playing golf and bowls.
Life on Marywell Farm during the first years of the Taggart family's occupancy.
Amateur home movies, including family visits, Christmas scenes, days out and family pets.
Made for screening at the 1925 World Educational Congress Edinburgh, the film gives a survey of the educational opportunities offered in Edinburgh from infants up to senior pupils.
Cyclical year in the life of the Taggart family as they take up residence at Marywell Farm. Their first experiences of country life.
Jurek Bitter, Maria Ehrich in "Leaving the Frame" (2019)
Sarah Ralfs in "Ich will mich nicht künstlich aufregen" (2013/14)
Barbara Frey (front) in "Endstation Liebe" (1958)
Helene Schneidermann in "Das Haus der guten Geister" (2019)
Greta Thunberg in "Homo Communis" (2020)
German movie poster of "Sandmädchen" (2017)
Volker Schlöndorff (Mitte), Barbara Steele (rechts) (Dreharbeiten)
José Luis Valle
Passionsfilm (stumm, Illustrationsmusik u. Geräusche)
Groteske (englisch) nach der
Abenteurerfilm (deutsch nachsynchron.) nach dem
Dokumentar-Spielfilm (deutsch, polnisch)
(Wier besprechen nur jene der vorgeführten Filme, die anschließend im regulären Verleih erscheinen.)
Biographische Studie (deutsch nachsynchron.)
Wildwestdrama mit
Schauspiel nach dem isländischen Roman von
Abenteuerdrama mit