An advert for Guthrie's mutton showing that only the best sheep are selected.
Composite reel of family film and footage from other titles by film-maker. [JUNGLE JINKS entered for the Scottish Amateur Film Festival 1940].
Scenes from the pantomime 'Robinson Crusoe', starring Harry Gordon and Will Fyffe.
Amateur Dufaycolor footage of the Empire Exhibition in Glasgow, featuring the visit of King George VI and Queen Elizabeth.
The manufacture of SCWS cigarettes and tobacco at the Co-op's Shieldhall factory, Glasgow.
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
Campaign film highlighting the effects of the public expenditure cuts on university students, as seen through the eyes of Sammie, a female student at Glasgow University. Using photomontage, graphics,...
Blair family visit to the Empire Exhibition,Bellahouston Park Glasgow, with views of the pavilions, outdoor exhibits, avenues, fountains and the Amusement Park. [see also ref 0065]
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss in "Near and Elsewhere" (2018)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
German movie poster of "Salt and Fire" (2015/16)
Irmin Schmidt in "Can and Me" (2022)
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.