Reportage about construction work in the port of Tanjung Priok near Batavia (Jakarta) in the Dutch-Indies (Indonesia).
Reportage about a fire-fighting demonstration Reportage from the Hook of Holland about a fire-fighting demonstration that does not exactly inspire confidence. The fire brigade demonstrates the use of ...
A short comedy about a boy who buys a dog during the holidays; the family seems unable to get rid of it.
A short Western drama in which the villain Broncho Billy sits down for Christmas dinner with the sheriff.
A tragicomedy in which the suicide attempt of the character Bunny is seen by a neighbour, who quickly calls for help.
A psychological drama about Ulrich, a workaholic whose life takes a drastic turn when he is involved in a fatal accident. As his guilt grows, his life slowly crumbles around him. Next, an unpleasant e...
[Bologna 11 March 1978: the movement] Footage (taken from a window) of a demonstration by the Bologna students movement in remembrance of the events of March 1977. The procession moves along Via Zambo...
Ein historisches Dokument. Oberleitung:
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
German movie poster of "Messi and Maud" (2017)
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.