One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Featuring their Cyclone furnace for firing coal at work; the Renfrew staff association magazine going to pre...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The film includes shots of Babcock and Wilcox boilers being installed in the Kodak factory, Essex. [See al...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd between 1954 and 1961, it includes a tea party for members of staff held at Turnberry Hotel where they also play golf for the inter-...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it features the Babcock and Wilcox tower crane involved in building the new sports stadium, Crystal Palace, ...
One of a series of twenty films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it looks at the Scottish Gas Board Works at Westfield and ferries using Babcock and Wilcox steam engines...
One of a series of 20 films made for Babcock and Wilcox between 1954 and 1961, it illustrates the firm's involvement with atomic power and their construction of a reactor pressure vessel at Hinkley Po...
Steel making processes at Glengarnock Iron and Steel works.
The Forth and Clyde Canal's operations on its last year of use.
"Above and Below" (2012-14)
Szene aus "Here and There"
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Here and There"
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...